初中学生摘抄的作文【一】
Opening the biography of the famous, in the first introduction, there is a saying: "the air around us is heavy. The old man's Europa is unconscious in a climate of turbidity and corruption, and the vulgar materialism represses ideas, hindering the actions of F and individuals. Society dies in a perverse, self-serving selfishness, and mankind breathes and breathes. Open the window! Let the free air come back! Breath the breath of heroes."
Obviously, romain rolland would calibrate the time warp with heroism. For romain rolland, the true hero, the true greatness is pain and solitude, the struggle of the self with the invisible. In the same quote he also said, "I am not a hero who is a man of thought or power, but a man of great heart." He is a soul, captured the hero is pain to overcome hardships as a shiny scale to measure the hero, and his celebrity biography is revealed three suffering hero's mind in human history biography. They were the great German musicians of the 9th century, Beethoven, the famous Italian sculptor Michelangelo and the Russian literary giant Leo Tolstoy.
He wrote at the end of the Beethoven revolution: "an unhappy man, poor, crippled, lonely, a man of pain, the world does not give him pleasure, but he creates joy to give to the world; He USES his suffering as a joy, as he tells it with his words, the motto of all the brave souls: "joy in pain." "Indeed," for joy with pain "romain rolland tracking of Beethoven's life view of fate, the words make up the" Beethoven turn "internal tension and fascinating ideological appeal.
What supports Beethoven is the quality that does not bow to the imperial power, is not the determination that is bought by money, it is the courage to strangle destiny's throat! It is with these extraordinary mental powers that Beethoven has reached the most sober grasp of life, over the myriad of life's perilous peaks.
This is the eternal spirit that Roman Roland left us in the biography of the famous!
初中学生摘抄的作文【二】
《狂人》中"吃人"这个惊人的字眼一次又一次地出现在人们的眼前，鲁迅借狂人之口，令人们意识到封建主义"吃人"!这一振聋发聩的呐喊使半封建半殖民地的中国人醒悟了，震撼了!
文中一个不懂世事的疯子道出了世间的本质，而那些将“疯子”称为“疯子”的人却故意装作糊涂，明明干出一些吃人的勾当，却做起了“君子”。文中写道“他们一翻脸，便说人是恶人”，及其“翻天妙乎，与众不同”的处世原则更是将封建统治阶级颠倒黑白的本领描述的淋漓尽致。他们“想吃人，又是鬼鬼祟祟，想法遮掩，不敢直接下手”，这正是他们缺乏勇气的体现。他们“自己想吃人，又怕被别人吃了”，正如疯子对他哥哥的劝说中所说的一样：“吃人的人，什么干不出!”的确，吃人的人，什么干不出!为了吃人，竟连自己的同胞兄弟也要谋害。从中可以看出在封建社会中，少的是亲情，多的只是害、暴力与凶残。所以，小孩子，狗，医生，陈老五以及大哥，都在以同样凶残的目光看着“我”这块肥肉，他们要“育肥我”，然后再逼“我”自戕，这样他们“没有人的罪名，又偿了心愿”，多么狡猾无耻与凶残!更可悲的是我们的孩子们，他们何以有此等的心思呢?!无非是老子娘教的，“这历史没有年代，歪歪斜斜的每页都写着“仁义道德”几个字”，“我”从字缝里看出字来，满本都写着两个字“吃人”，而如此无知善良的“我”也在无意中成了吃人的人，成了吃人的人“销赃”的同伙。所以他们将希望寄托于孩子身上，因此主人公在文章的末尾高声呐喊：“救救孩子!”
文中"吃人"这个惊人的字眼一次又一次地出现在人们的眼前，鲁迅借狂人之口，令人们意识到封建主义"吃人"!这一振聋发聩的呐喊使半封建半殖民地的中国人醒悟了，震撼了!
《狂人日记》一种自由的流露，一次正义的爆发。鲁迅先生的声音在那个充满恶臭、腥味的封建社会，唤起了沉睡的人，沉睡的真的人，唤醒了整个世界!
初中学生摘抄的作文【三】
"Open the window! Let the free air come back! Let's breath the breath of heroes." This is a line from romain rolland's book, "celebrity biography". Perhaps this is his interpretation of all his work.
The author of "celebrity biography" is French thinker and writer, romain rolland. "Celebrity biography is about Beethoven, Michelangelo and Tolstoy in grief stuck on the journey of life, to seek the truth and justice, for can show the true, the good and the beautiful immortal masterpieces, laid down their lives. They may be tortured by sickness, or by the misery of their sufferings, or by the confusion of their hearts, or the three of them, which are all overlapping in one body, with deep anguish, almost suffocating their breath, and destroying reason. But with strong will, they walked through the glorious and arduous life.
There are 5 famous biographies of famous people
Many places in "celebrity biography" are amazing, but my most memorable one is Beethoven's saying, "man, depend on yourself!" This sentence seems to be the advice to every living thing, if not to be self-reliant, then to ask for trouble. These three great men, on their own, forged a glorious life.
Beethoven came from a poor family, dropped out of school at thirteen, started the whole family at the age of seventeen, and when he was twenty-five years old, he had just emerged from the music scene and was deaf again. The pain of this very deadly disease to the musician, who could have imagined who could think of his immortal masterpiece, was written in the vast majority of his deafness. He had always been unlucky in life, and his love life was full of desolation and regret, due to poverty and disability.
Meters open the ROM and Tolstoy luckier than Beethoven, they don't have any physical disability, but they refuse to enjoying life, will not live in vain, for the own goal, fighting.
What kind of victory could be compared to their achievements that the glory of the sun that was the day of the Napoleonic wars was never won by spiritual power. They forged themselves with difficulty. As Beethoven summed up his life in one sentence, this sentence has become the motto of the brave man: "for its pain, there is joy."
初中学生摘抄的作文【四】
法布尔是第一位在自然界中研究昆虫的科学家，他穷其毕生精力深入到昆虫世界，在自然环境中对昆虫进行观察与实验，真实地记录下昆虫的本能与习性，写下了《昆虫记》这部昆虫学巨著。
读了《昆虫记》这本书，我知道了关于昆虫的很多不为人知的事情，比如在田野里经常闪烁着亮光，大家都知道是萤火虫的杰作吧!以前，我以为萤火虫只吃树叶、草，但读了这本书后，我大吃一惊，萤火虫是一个食肉动物，是猎取野味的猎人，而且在获取猎物的时候，手段是罕见的恶毒!听到这件事情，你们一定非常惊讶吧?萤火虫在吃猎物之前，就像人类奇妙的外科手术那样，先给猎物注射一针麻醉，使它失去知觉，再将它化作清汤，喝下肚。萤火虫的工具非常简单，是两片变成钩状的颚，细得像一根头发丝。萤火虫用它的工具反复轻轻地敲打着蜗牛的外壳，就像在和蜗牛逗着玩，而不是咬。它是利用带槽的弯钩把毒汁传到了蜗牛的身体里，使它无法动弹。
这时，你们一定会认为蜗牛已经了，其实它还没有，那是因为它已经被萤火虫进行了深度麻醉，现在正属于半不活的状态。就这样，萤火虫把蜗牛化成液体，再喝下肚。
萤火虫是依靠自己的特殊工具战胜强大的蜗牛的，这就是智慧的力量。
人类在漫长的进化过程中也是依靠自己的智慧战胜了强大的动物，所以无论是动物还是人类，都不要以自己的弱小而害怕，也不要以自己外表的强大而骄傲。我们应该发挥智慧的力量，战胜强敌，创造美好的生活。
初中学生摘抄的作文【五】
书籍鼓舞了我的智慧和心灵，它帮助我从腐臭的泥潭中脱身出来，如果没有它们，我就会溺在那里面，会被愚笨和鄙陋的东西呛住。
—— 高尔基先生
在这个洋洋洒洒的寒假里苏联无产阶级作家高尔基先生的《童年》。在一个平凡的上午，我翻开可这本书，情绪也随着书上一行行的黑色宋体，忽起忽落……
主人公阿廖沙痛苦的童年打动着我，时不时会让我掉下来一两颗晶莹剔透的泪珠。
3岁丧父，10岁丧母。十一岁又被外祖父赶出家门。母亲和外祖母住进专横、濒临破产的小染坊主外祖父家，而他却经常挨外祖父的毒打。同时，在外祖父家认识了许多亲戚。其中有两个为了分家不顾一切的舅舅，两个表哥，和一个朴实，深爱着阿廖沙的“小茨冈”， “小茨冈”每次都用胳膊挡外祖父打在阿廖沙身上的鞭子，尽管每次都会被抽的红肿。但后来强壮的他后来却在帮二舅雅科夫抬十字架时给活活压了……
之后在阿廖沙离开外祖父家之后，独自一人踏上了社会。他在很多的地方打过杂，在这期间阿廖沙饱受了欺辱，但他还是熬了过来。因为他被自己坚强，坚强、不屈服，不怕困难的精神与信念一直支撑着他自己。
而现在的我们，是福中不知福，不愁吃不愁穿。而阿廖沙却吃不饱，穿不暖。
在这样的童年里，长大也能成为有用的人，可见他是多么坚强，我也要像他一样，好好学习，报效祖国！
初中学生摘抄的作文【六】
童年，一个简简单单的两个字，一个让人感到欢乐的两个字，一个让人年轻无极限的两个字，却被高尔基爷爷描写的如此悲伤，又如此幸福。
高尔基爷爷活了69年，在生命的69年当中，他创作了惊人的作品，如：《我的大学》《海燕》《在人间》……可让我意义最深的一篇作品就是：《童年》。
小小的阿廖沙，在三四岁的时候，父亲就不幸地去世了，母亲带着阿廖沙投靠到了外婆外公的那里。
母亲的来到引起了大舅米哈伊尔与小舅雅科夫的争斗。他们怕母亲讨要嫁妆。阿廖沙的外公很凶，经常毒打阿廖沙，却又在他生病的时候来关照他。
我喜欢阿廖沙的外婆，外婆很亲切，也很勇敢，不会给阿廖沙带来负面能量，再一次大火中，外婆非常勇敢的扑向大火，拿起水盆把火浇灭了。
我还喜欢阿廖沙的朋友小茨冈，那是一个非常有正义感的小伙子，每次在阿廖沙被打的时候，他总是伸出手来帮阿廖沙挡住痛打。不过，还是被两个可恶的舅舅给害了。
我们认识的童年，应该是快乐的童年，是开心的童年，是无忧无虑的童年，可是，在著名作家高尔基笔下的童年，却是痛苦、悲伤、残忍凝聚在一起的童年，这是童年吗?就这样，阿廖沙在这个沉重的家庭中早早离别了自己的童年。
我为什么喜欢阿廖沙的外祖母，因为她勇敢;因为她慈祥;因为她温柔。她可以给阿廖沙带来正面能量。
阿廖沙3岁丧父，10岁丧母，你可以想象，我们如果和阿廖沙一样，我们到底能不能扛住这一系列的重大打击?我们能不能像阿廖沙一样继续生活?
我们要从现在开始，珍惜自己童年的一分一秒的时间，更要尊敬老人，孝敬父母。
初中学生摘抄的作文【七】
初读《童年》，大概是几年前了。封面上，一座破旧的木屋前有一位皮肤黝黑的老人，他额头上的一抹迹在饱经沧桑的脸上显得格外殷红。可他旁边却蹲着一位截然不同的人，她脸上绽放的微笑让我感到温暖，她抱着一个孩子，孩子的两只手紧紧地抱在她身上。这个孩子就是阿廖沙。
我很同情阿廖沙，他三岁丧父后，只得和悲痛欲绝的母亲和慈祥的外祖母去面对濒临破产的外祖父家，还得挨外祖父的毒打，两个舅舅为了争夺财产，彼此打得头破流。不过还有深爱着阿廖沙的小茨冈，每一次都会用胳膊挡外祖父打在阿廖沙身上的鞭子，尽管很疼，要最后还是被雅科夫舅舅抬十字架时活活压了……我同情他黑暗的童年，每一次吵架，每一次毒打都深深地烙印在他幼小的心灵里，不过，他还有外祖母。我觉得她是那个世界里唯一温暖也可以带来温暖的人。
再读《童年》，那熟悉的封面又一次赫然映入我的眼帘。还是表情凝重的外祖父，还是抱着阿廖沙的外祖母。我不太理解，阿廖沙的童年难道不是一片黑暗吗?我开始怀疑自己。可是小茨冈还是了，母亲还是离家出走了，这个家庭依旧是破碎的。仍然没有温暖，尔虞我诈。封面上的外祖父的确黑暗，可是他眼神中透出的却是一种对世俗的迷恋，况且外祖母笑得是那样慈祥。阿廖沙的童年真的只是一片黑暗吗?当然不是，还有外祖母的一个个生动、优美的童话故事，小茨冈的陪伴和与“好事情”深厚的友谊。
黑暗的尽头一定是黑暗吗?不，还有温暖。
初中学生摘抄的作文【八】
This "celebrity biography" is about the tribulations and difficulties of the three famous men on the road to fame, from the power of persistence to the disintegration of power even to despair. They abandoned a lot of love and friendship on the way to fame. Finally, they set foot on the road to success.
The first is a belief that, suffering from pain, still does not put down music -- Beethoven. Although he was deaf, he said proudly, "listen to my heart music, you don't understand how I feel! A band can only play music that I expect to write in a minute!" Yeah! His music set of classicism is the beginning of romanticism, and its creation reflects the progressive thoughts of the rising period of the bourgeoisie.
Then a tragic, still sculptural belief - Michelangelo. His pain came from human malice. He was born to fight, to conquer! It is precisely because of this that his artistic creation has been deeply influenced, often with the realism of the civil class at the time of the patriotism and freedom of the struggle of the spirit of the painting. This kind of cup is presented in grand and magnificent form, and his hero is both an ideal symbol and a reflection of reality.
The last is a mirror that Lenin once called "the Russian revolution." Looking around Tolstoy's life, he was not only a literary giant, but also the narrative of life, religion, and society that made him a world-leading thinker. Tolstoy never laid down his obsession with the meaning of life.
