周日中午没睡午觉,特意看了动画片《美人鱼公主》,相信这部动画片很多人都看过,因为它美丽,浪漫,充满了神秘的气息,而且制作精美,设计巧妙,又尤其美人鱼形象堪称一绝。
美丽的爱丽儿是一条可爱的小美人鱼,她一心向往人类世界,每天都想尽办法游出海面,企图能够接触人类。可是接触人类世界却是人鱼法律所禁止的。她聪明、勇敢、喜欢冒险,常和她最好的朋友小比目鱼胖胖还有音乐大臣赛巴斯丁一起出去探险
个人很喜欢美人鱼这个动画角色,也许每个女人潜意识里都会有些浪漫情结吧(老公经常强调我不浪漫,太现实,喜欢斤斤计较,抓住别人的小辫子不放,虽然我一直没找到机会和辩词来进行反驳,但我心里是从来都没承认过我有这么多的缺点的。,虽然小孩都上幼儿园了,但还是喜欢看这个动画片。
Oliver Twist, one of the most famous works of Charles Dickens, is a novel reflecting the tragic fact of the life in Britain in 18th century.
The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.
The hero of this novel was Oliver Twist, an orphan, who was thrown into a world full of poverty and crime. He suffered enormous pain, such as hunger, thirst, beating and abuse. While reading the tragic experiences of the little Oliver, I was shocked by his sufferings. I felt for the poor boy, but at the same time I detested the evil Fagin and the brutal Bill. To my relief, as was written in all the best stories, the goodness eventually conquered devil and Oliver lived a happy life in the end. One of the plots that attracted me most is that after the theft, little Oliver was allowed to recover in the kind care of Mrs. Maylie and Rose and began a new life. He went for walks with them, or Rose read to him, and he worked hard at his lessons. He felt as if he had left behind forever the world of crime and hardship and poverty.
How can such a little boy who had already suffered oppressive affliction remain pure in body and mind? The reason is the nature of goodness. I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty. Although I dont think goodness is omnipotent, yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.
For me, the nature of goodness is one of the most necessary character for a person. Goodness is to humans what water is to fish. He who is without goodness is an utterly worthless person. On the contrary, as the famous saying goes, The fragrance always stays in the hand that gives the rose, he who is with goodness undoubtedly is a happy and useful person. People receiving his help are grateful to him and he also gets gratified from what he has done, and thus he can do good to both the people he has helped and himself.
To my disappointment, nowadays some people seem to doubt the existence of the goodness in humanity. They look down on peoples honesty and kindness, thinking it foolish of people to be warm-hearted. As a result, they show no sympathy to those who are in trouble and seldom offer to help others. On the other hand, they attach importance to money and benefit. In their opinion, money is the only real object while emotions and morality are nihility. If they cannot get profit from showing their kindness, they draw back when others are faced with trouble and even hit a man when he is down. They are one of the sorts that I really detest.
Francis Bacon said in his essay, Goodness, of all virtues and dignities of the mind, is the greatest, being the character of the Deity, and without it, man is a busy, mischievous, wretched thing, no better than a kind of vermin.
That is to say a person without goodness is destined to lose everything. Therefore, I, a kind person, want to tell those vermin-to-beto learn from the kind Oliver and regain the nature of goodness.
9月28号,终于等来了盼望已久的这个学期的第一次电影课了。听说要看《驯龙高手》这部电影的时候,我更兴奋了,嗯,至少是部动画片。
当电影一开始,它一说到“维京人”的时候,我就觉得特别耳熟。原来,“维京人”就是北欧海盗,敢大胆地抢劫当时海上第一大国西班牙的商船。看完这个电影,更觉得他们大胆了,他们居然敢跟龙接触。这个电影讲的就是海盗首领的儿子小嗝嗝和一条号称龙里面最凶猛的夜煞接触,然后一起找到龙总是抢劫的原因,最后和海盗、一些龙一起打败不给它食物就要吃龙的巨龙。
我觉得这部电影的亮点有两处。一是各式各样的龙,二是主人公和夜煞合作击败巨龙那一段。我一直都挺喜欢龙的,觉得它们挺好玩儿的,看这个电影刚好满足了我的愿望。这里面的龙不是那种普通的全都长成一个样子的,有两个脑袋的、超级无敌大脑袋的、能自己着火、没有肉、全身都是骨头、尾巴上带着锤子的……
这部电影就是借龙来说明,当你看到一个有丑恶一面的`可怕的东西时,要想到这并不一定是它的本性,你要找到它变得凶猛的原因,你也许就会发现它纯真、善良的本性。好多电影都是想说明这样的道理,你不要轻易地给某种事物定性,而是要找到解决问题的办法。
1967年,“新好莱坞电影”的出现,使更多贴近现实生活和年轻人思想感情的电影出现。在这个变革中,达斯廷·霍夫曼的成名作《毕业生》是一部举足轻重的代表作。这部大胆揭露六十年代年轻人迷失方向,揭开美式中产阶级虚伪面具的电影,向我们表露了新的一代人,新的一代的价值观,成为“新好莱坞电影”的先锋之作。
本片描述了一个刚步出大学校门的社会新鲜人本恩,面对众人口中所谓的美好前程,自己却对未来生活感到茫然。而父母对本恩的一生充满了期望,一切都似乎已经安排好了:入读大学、进入研究所、成为中产阶级、和一个家境相当的女人结婚。最要命的是,这种期望已经无可厚非。作为孩子,他明白父母是善意的,这些期望都是为了他好,对于一些人来说这或许是最完美的人生规划,但对于他来说,只能让他更为困惑与悲哀。在家庭晚会来客中的鲁宾逊太太对这个小伙子很感兴趣,并让本恩开车送她回家。的夫人不断挑逗本恩,但被拒绝。可是接下来无聊的日子加之自己对未来的迷茫,不久后他便开始了同鲁宾逊太太约会,不知不觉中他也爱上了鲁宾逊太太的女儿伊莱恩。 鲁宾逊太太知道真相后坚决反对,并想尽办法拆散两人的交往。本恩终于找到机会向伊莱恩表白了爱意,并坦诚了自己曾经的堕落,只是没说出那个夫人的名字。 伊莱恩原谅了他,但鲁宾逊太太的震怒使伊莱恩猜到了一切。伤心的她在父母的精心设计下与一个叫卡尔的人仓促结婚。本恩得知这一消息,不顾一切,费尽千辛万苦奔向了教堂,他要尽最后力量挽回心爱的人。最后镜头停止跟随在车后,静静地看着汽车远离,给人很微妙的感觉,为观众留下了无限的想象与憧憬。
作为观众,我们可以无限的想象,也许是对青春的伤逝吧,导演为表现毕业生的迷茫与无助,特意插入让本恩穿上潜水服一步一步的往游泳池走去的镜头。从潜水服里只能看到外面的人在欢笑却听不到他们的声音。在本恩的世界里,只能听见自己急促的呼吸声,迷茫麻木的内心使得所有人的脸都是缓慢的,扭曲的,静止的。这可以是本恩的内心独白,或是本恩对外界极其厌恶的一种表现。在每一个刚刚踏入社会的人的眼中,所有恶意或善意的忠告与借鉴,都将被隔离出他们的世界。潜水服似乎是本恩的保护罩,匆匆潜入水中,就是他急切想摆脱一切世俗的反应。呼吸声,遮盖住世间喧哗,但是抵挡不住外界对他的影响与制约。父亲一次又一次把他按入水中,似乎在暗示着你应该按着我给你规划好的一切走每一步,你永远是我手中的一颗小小的旗子!无奈的.他似乎也只有默默的沉入水底,等待着一切。当本恩在酒店为嬉闹喧哗的各类上流人士开门,看着他们漠视的只顾自己沉迷的脸,他才明白自己的未来在何处。本恩虽然优秀,然而走出学校依然对未来充满了迷茫,还为此成为了父亲合伙人的老婆的情人。直到他遇见了伊莱恩,才看到了自己盼望已久的生活,他才不再为此迷茫下去,不顾别人的冷嘲热讽,甚至是爱的人的父母的威逼,依然不放弃,最终赢得了自己的爱情。可以说这部电影介于悲剧与喜剧结局之间,表现的不仅是美国迷茫的一代人的生活,还有通过自己的努力而换来成功的喜悦。
影片里有太多关于大人们和本恩的矛盾与冲突,但本恩开始只是想要逃避。对于他来说,逃避这一切,也许就能远离那些虚假的微笑和不现实的世界,可是难道我们就必须现实,现实得没有自我、没有反抗、没有自己的世界吗?在该拒绝的时候为什么要接受,在该反抗的时候为什么要忍受。大部分的我们已经在岁月里丧失了对童话的幻想,已经丢失了对未来美好的憧憬。但是我们偶尔还会留有对现实的反抗与一丝丝幻想。本恩从温文尔雅,到出言不逊;从西装革履,到衣衫褴褛;从乖巧听话,到我行我素。他打破了一切父辈们引以为傲的形式主义的生活标准,而去追求心灵交会的巅峰体验。伊莱恩是他在爱情中的转折,同时也
是他整个命运的转折。在她这里,他找到了前进的方向与动力。其实这也告诫了我们,对于所有将要踏上社会的年轻人来说,在迷茫阶段的指引忠告往往是起不到作用的,关键是要让我们自己揭开社会神秘的面纱,自己寻找生命的真谛,发现生活的奥秘。我们可以迷茫,但是不要迷失了自己。不要成为生活的傀儡,学会发现生活,感受生活,那么才能让自己的舞台更加绚丽!
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