关于面对面用手机交流的英语作文【一】
Dear XX,
i am very happy to see you,i think you teach very well,we all love you!
i think your english class is better than our old english teacher's class,i believe you can do better than better!i believe in you!
Best wishes to you!
yours,
XXX
XXXX.X.X
关于面对面用手机交流的英语作文【二】
生活有时虽然非常残忍，但你只要努力的去面对它，战胜它，用自己甜美的笑容感动它，它一定会向你屈服。
生活中难免会有一些挫折，让你生气、伤心。这时候，很多人都会选择输给生活，让生活指使他。而很少有人明白生活正在考验自己，只要我们尽力的向生活微笑。那么，生活就自然会对自己微笑。
相信大家都知道海伦·凯勒吧!1882年，因为一场高烧将海伦与外界隔开，使她失去了视力和听力。她仿佛置身在黑暗的牢不可破的笼中无法摆脱。
万幸的是海伦并不是个轻易认输的人，她时刻微笑着面对生活。七岁的时候她就已发明了60多种不同的手势，并考此得以和家里人交流。她若想要面包，就会做出切面包和涂黄油的`动作。想要冰淇淋时她会用手裹住自己装出发抖的样子。
海伦在这方面非比一般，她绝顶聪明而又相当敏锐。通过努力她对这个陌生且迷惑的世界有了一些认识，但她仍有一些不足。
海伦五岁时开始意识到她与别人的不同。她发现家里的其他人不用像她那样做手势交流而是用嘴交谈，有时她站在两人中间触摸他们的嘴唇，可她不知道他们在说什么，而且她也不能发出带有含义的声音。她想讲话，可无论费多大的劲儿也无法使别人明白自己。这时她异常懊恼以至于常常在屋子里乱跑乱撞，灰心地又踢又喊。
就这样，随着年龄的增长，她的脾气也越来越大，变得狂野不训，家里人便为她雇了一名家庭教师——安妮·沙莎文。幸运的海伦找到了一位世界上最好的老师。在安妮的悉心教授下，原本对生活已经心的海伦又重新燃起了生命之火，并且学会了讲话，这对失聪的人来说是一个巨大的成就。
海伦还证明了自己是一个出色的学者，1904年她以优异的成绩从拉德克利夫学院毕业。
虽然她看不见也听不见，但是她总是那么的坚强，总是那么的努力，总是无时无刻用她那灿烂的微笑面对着生活。
尽管生活中有太多的困难与挫折，我们也要像海伦·凯勒一样努力地微笑着，因为,在你用微笑面对一切好与不好,坏与不坏,对与不对的时候,这一切也都在用微笑回应着你!让我们唱起生活的歌谣，不要抱怨生活给予了太多磨难，不必抱怨，生命中太多的曲折，伤心忧郁都是在所难免的，没有人能随便便成功，把握生命里的每一次感动，用真心的笑容，去迎接雨后的彩虹。
让我们用微笑面对生活吧!
关于面对面用手机交流的英语作文【三】
Such is sons’ nature; I really do not know how to express my thanks to you. However, I can imagine, on the day 18 years ago, when you gave birth to me, what a complex feeling you had. In the past few years, every day you struggle me up in the morning and prepare breakfast for me, then in the afternoon, you always welcome your only son with delicious foods after a day‘s hard work. Now your son has been 18 and will go to university soon, like a bird is leaving its parents. Nevertheless, your footprints on my heart will never ever fade and I love you mum!
your son
关于面对面用手机交流的英语作文【四】
初恋50 First Dates
What would it feel if I can wake up everyday forgetting what happened for the last whole year?
Lucy in the movie “50 First Dates” told me this feeling. Every morning when she woke up, she only rememberred the Sunday of last year which was her father’s birthday, also the date she had the car accident which made her only keep memory before Sunday, so she always felt happy living the same habit as what she did on Sunday a year ago with the kind set-up by her father and brother. After meeting Hey, she could only remember who he was on the same day. But after one night, he became a stranger to her. She couldn’t even recognize he was the one she used to date and love everyday. Hey tried his best to give her a new different meeting every day so as to win her smile and regain their “First Date”. Hey made her tapes every morning to help her remember what happened the day before and the last whole year. Lucy thus felt grateful with all she had when she woke up everyday. On the same day, she always had the same deep gratitude to face Hey with her sweet smile. What a beautiful feeling it is to always feel thanksgiving and to always
appreciate each other’s effort. A touching story between a memory lost woman and a devoted man taught all of us, normal people, the essence of love. When two people can thank each other for their devotion everyday like what they did for each other on first date, love can forever be refreshed and energetic. On Lucy’s side, people with memory will ask for more than yesterday and become critical of their partners day by day, while people without memory will feel grateful for their life and the people around them everyday.
In the movie, when one day Lucy decided to break up with Hey to let him rebuild his life by burning all their diaries and tapes, I cried for Hey’s broken heart. For her, it was just one day feeling. For him, it was long-term affection and connection. It was easier for her than him to give up their love. On Hey’s side, people with memory will always remember the past happiness and
treasure it for the rest of their life, while people without memory will easily give up at the end of the same day.
What a ruthless feeling it is to end a relationship just after one minute thought. People with fragile mind would easily ruin a long-term relationship no matter what reason they have. The torture between Lucy and Hey tells us the fatal factor to do harm to intimacy between a couple is their fragile mind of
balancing emotion and reason. Thus most of couple lose their trust for each other after experiencing this weakly testing broke-up.
飓风Taken
What is the right relationship between the father and the daughter? There is no certain answer. But the love of Brain's to his daughter must be one of the best ones.
His daughter, a young pretty 17-year-old girl was kidnapped during a tour in Paris. Brain got the news and hurried to France to take his daughter. He found that the gangsters that kidnapped his daughter were connected with an old friend which made him exetreme angry. He finally found the place where was holding an auction selling young virgins and broke in successfully taking his daughter away.
No matter how hard and stressful the situation was, and how dangerous things he faced, he never went back just because of the greatest love of a simple father. In the movie, we are all moved not only his actions of kindness, but also his insistance and the greatest of all- a father's love.
魔术师THE ILLUSIONIST FACTS
When word of the famed Eisenheim's (Ed Norton illusions reaches Crown Prince Leopold (Rufus Sewell, the ruler attends one of the magician's shows in order to debunk the performance. But when the prince's intended, Sophie von Teschen (Jessica Biel, assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods, and pretty soon they're totally hot for each other. As the clandestine romance continues, the prince's best cop (Paul Giamatti is charged with exposing Eisenheim, even while the magician gains a devoted and vocal public following. Before long, Sophie turns up dead, and the logical suspect is Eisenheim himself.
一线声机"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" becomes an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with
mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action comedy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws in
flashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them competently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics ("...where you gonna run to?" literally and paid no attention to the inappropriateness of the accompanying music (which just bop, bop, bops along. (The song is even reprised during the closing credits, which itself is misbegotten in conception.
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
