成为一个好老师是每个老师的愿望,如何成为一个好老师,每个人有自己的想法。虽然分数不是衡量老师和学生的唯一标准,老师讲的好不好,全看学生成绩是有一定道理的。一个能把学生成绩提升的教师,心里一定对重难点的把握非常到位,对解题方法的指导有自己的见解。我把自己的读书心得总结为外焦里嫩四个字。
(一)外
作为教师,不能两耳不闻窗外事。自己专业的东西需要了解学习,不能固守自己的知识,更新自己,更新知识,以学生为中心,以学生的视角去思考备课。
一要了解学生,了解学生当下的喜好,他们喜欢的歌曲、电影、网络语言,喜欢读的书,从而走进他们的内心,和学生站在同一个起跑线上。和学生的心近了,才能和他们聊在一起,知己知彼,百战不殆。
二要了解当下时事热点。关注当下的热点,当下的教育方式,吸纳心的教育理念,走在时代的前沿。
(二)焦
焦是烤焦、聚焦的意思。教师要把中考知识一层层过滤,就像烤鸭,把里面的油都烤出来,让油漏出来,鸭子才好吃。对于中考,必须做到教师下题海,学生驾轻舟。学生时间宝贵,教师要开动脑筋寻找方法,做到心里有数,引导学生掌握做题技巧方法,归纳梳理总结重难点,学会归类总结。而不要再眉毛胡子一把抓,浪费精力和时间。例如,讲作文的时候,给学生一些句式,一些语料,一些有用的词组,让学生去自由选择,思考重组,去布局谋篇,以不变应万变,而不是给学生范文和模板让他们去背诵。
(三)里
做一个靠谱的老师,做一名有终身学习能力的老师,做一名有里子的老师,做一名让学生佩服的老师。老师要为学生的成绩添一把柴,必须提升自己,去寻找更好的适合自己学生的方法。让学生以自己为榜样,亲其师信其道。
(四)嫩
嫩就是我们的的理念。以学生为本,把自己内心最柔软的地方就给学生。讲什么不讲什么都按学生的能力疑惑说了算,都是为了自己的学生。选择教学方法的依据是学生怎么学省力,怎么学高效,适合的就是最好的。
课程改革是一场伟大、深刻而生动的教育实践。我们广大一线教师怎样去利用新课程标准引领指导教学,本书基于实践提出问题,对照新课程标准分析问题,通过更新理念解决问题,给予我们具体有效的指导。
This "celebrity biography" is about the tribulations and difficulties of the three famous men on the road to fame, from the power of persistence to the disintegration of power even to despair. They abandoned a lot of love and friendship on the way to fame. Finally, they set foot on the road to success.
The first is a belief that, suffering from pain, still does not put down music -- Beethoven. Although he was deaf, he said proudly, "listen to my heart music, you don't understand how I feel! A band can only play music that I expect to write in a minute!" Yeah! His music set of classicism is the beginning of romanticism, and its creation reflects the progressive thoughts of the rising period of the bourgeoisie.
Then a tragic, still sculptural belief - Michelangelo. His pain came from human malice. He was born to fight, to conquer! It is precisely because of this that his artistic creation has been deeply influenced, often with the realism of the civil class at the time of the patriotism and freedom of the struggle of the spirit of the painting. This kind of cup is presented in grand and magnificent form, and his hero is both an ideal symbol and a reflection of reality.
The last is a mirror that Lenin once called "the Russian revolution." Looking around Tolstoy's life, he was not only a literary giant, but also the narrative of life, religion, and society that made him a world-leading thinker. Tolstoy never laid down his obsession with the meaning of life.
"Open the window! Let the free air come back! Let's breath the breath of heroes." This is a line from romain rolland's book, "celebrity biography". Perhaps this is his interpretation of all his work.
The author of "celebrity biography" is French thinker and writer, romain rolland. "Celebrity biography is about Beethoven, Michelangelo and Tolstoy in grief stuck on the journey of life, to seek the truth and justice, for can show the true, the good and the beautiful immortal masterpieces, laid down their lives. They may be tortured by sickness, or by the misery of their sufferings, or by the confusion of their hearts, or the three of them, which are all overlapping in one body, with deep anguish, almost suffocating their breath, and destroying reason. But with strong will, they walked through the glorious and arduous life.
There are 5 famous biographies of famous people
Many places in "celebrity biography" are amazing, but my most memorable one is Beethoven's saying, "man, depend on yourself!" This sentence seems to be the advice to every living thing, if not to be self-reliant, then to ask for trouble. These three great men, on their own, forged a glorious life.
Beethoven came from a poor family, dropped out of school at thirteen, started the whole family at the age of seventeen, and when he was twenty-five years old, he had just emerged from the music scene and was deaf again. The pain of this very deadly disease to the musician, who could have imagined who could think of his immortal masterpiece, was written in the vast majority of his deafness. He had always been unlucky in life, and his love life was full of desolation and regret, due to poverty and disability.
Meters open the ROM and Tolstoy luckier than Beethoven, they don't have any physical disability, but they refuse to enjoying life, will not live in vain, for the own goal, fighting.
What kind of victory could be compared to their achievements that the glory of the sun that was the day of the Napoleonic wars was never won by spiritual power. They forged themselves with difficulty. As Beethoven summed up his life in one sentence, this sentence has become the motto of the brave man: "for its pain, there is joy."
1。hereby
该词意为by means of , by reason of this, by this agreement,“特此”,“因此”,“兹”,“在此”。此词常用作法律、经贸文件、合同、协议书等正式文件的开头语,在合同条款中需特别强调时也可用,表示当事人借此合约,要宣示某种具有法律效力的“意思表示”,如保证、同意、放弃权利等,一般放于主语后,紧邻主语。如:The Company hereby covenants and warrants that…… 意为:By this agreement the Company covenants and warrants that……即:公司在此保证……再如:Both parties hereby agree that……意为:By this agreement both parties agree that……即:双方当事人在此同意……
2。hereof
该词意为:of this agreement,“关于此点”;“在本文件中”,表示上文已提及的“本合同的、本文件的……”,一般置于要修饰的名词的后面,与之紧邻。如:to take effect on the date hereof 意为:to take effect on the date of this agreement 即:于本合约之日期生效。再如:the headings of the sections hereof 意为:the headings of the sections of this agreement 即:本合约各条款之标题。
3。hereto
该词意为:to this agreement,“至此”,“在此”,表示上文已提及的“本合同的……本文件的……”,一般置于要修饰的`名词的后面,与之紧邻。如:both parties hereto 意为both parties to this agreement,即本合约之当事人双方;items specified in Attachment I and hereto 意为:items specified in Attachment I to this agreement 即:本合约之附件I所列之各项。
4。herein
该词意为:in this agreement,“此中”,“于此”,表示上文已提及的“本合同(中)的……,本法(中)的……”等,一般置于所修饰词后,紧邻所修饰词。如:to file a suit in the court agreed to herein 意为:to file a suit in the court agreed to in this agreement 即:向当事人于本合约中同意管辖的法院提起诉讼;再如:to follow the terms and conditions herein 意为:to follow the terms and conditions in this agreement,即:遵守本合约所规定的条件。
5。hereinafter
该词意为:later in the same Contract,“以下”,“在下文”,一般与to be referred to as, referred to as, called 等词组连用,以避免重复。
6。hereunder
该词意为:under this agreement,“在本合约内”、“依据本合约”。如:obligations hereunder,意为obligations under this agreement,即“本合约内的义务”。再如:rights granted hereunder,意为rights granted under this agreement,即“依本合约所赋予的权利”。
The biography of the famous is composed of the famous French writer romain rolland, the biography of Michelangelo and the biography of Tolstoy, all of which were created in the early twentieth century. These three are famous people all over the world, but they do not give in to their fate and fight against their fate.
The first was Beethoven, a German musician who was born poor and dropped out of school. His life was rough and he was brave to fight his fate. His only family had failed him, and he was badly hit, but he survived. The great musician wrote an immortal masterpiece after hearing the deaf. He conquered the disease and overcame the difficulty. Beethoven was successful because of his spirit, unwilling to yield to his fate, and his spiritual values.
The second was Michelangelo, an Italian composer. He was born to a richer family in Florence. He has a high culture and artistic foundation. He spent his life working for the church. And his family kept asking him for money, and Michelangelo never refused their demands. The Pope had erected a monument to himself, which made Michelangelo less than his ideal. He encountered many difficulties in his life. He insisted that he lived to be in his seventies for his own ideal. Only a man with dogged perseverance like Michelangelo will succeed.
The third is Leo Tolstoy, a Russian writer. Tolstoy was born with a silver spoon in his mouth. He has a happy family. He has a high literary talent. He had been successful before, but he didn't care about what he had. He would not enjoy life, he would not spend his life, he would like to reflect the value of his life through human beings. Tolstoy was one of those people who let us see the different sides of the writer, the kind of inner shock that made me feel a lot.
This book tells us to fight our fate bravely, as long as you don't give in to your destiny, one day you will change your fate. There is an old saying that "destiny is in your hands".
《教育科研与教师成长》这本书是我师父送给我的,她说这本书很好,让我好好的把这本书看看,当我翻开书我就被她深深吸引了,作者陈大伟的成长经历吸引了我;把原来枯燥的科研理论当故事讲,这正深入浅出的方式吸引了我;把研究的过程作为一种享受教育的过程的观点深深吸引了我……
陈大伟1982年中师毕业,先后担任中学团委书记、政教主任、教科室主任、副校长、校长,成都教育学院科研处长。现为成都师范学院副教授。先后出版了《创造幸福的教师生活》、《校本研修面对面》、《怎样观课议课》、《我的教育道路》等10本有一定影响的个人专著,在省级发表论文近百篇。
我经常感叹自己的.出身定位这么低,面对南师大的一帮科研专家只有望“研”兴叹的份,他们个个都是出国深造过,要不就是博士生导师之类的头衔,看着他们高高在上,我觉得遥远极了。但是当我看到陈教授的工作和成长经历,我有对自己的人生进行了重新的思考和规划,我的出身卑微,只是一个小小的幼儿教师。我不一定能有陈教师这样的成就,但我却明白了自己应该如何为自己树立一面勇往直前的旗帜。
书中在讲述什么是研究时列举了这样一个例子:
调入一所新学校,我第一次到食堂去吃饭的时候,发现餐桌两边的凳子被铁器固定在桌下,于是我把食物放在桌上,准备把凳子搬出来放下。我采用的方法是用脚踩连接凳子的横杆。“啪!”铁器支撑杆与地面发生巨大撞击声,食堂中同事的目光全部集中在我身上,我闹了个大红脸。而且强烈的撞击使桌上饭菜的汤汁也溅了出来。
第二次进食堂时,我吸取了教训,用手拉支撑凳子的竖杆,这次没有了声响,但需要两手参与,而且因为平时大家很少接触支撑杆,支撑杆上的灰尘很厚,把我的两只手都弄的很脏。我对这种办法也不满意。
这时,我开始观察其他有经验的老师是怎么做的。我发现他们直接抓住凳子面往下拉。想一想,有什么好处呢?一是用手控制着,没有了声响;二是用一只手一次就解决了问题;第三个好处就是凳子面经常有人坐,很干净,不会把手弄脏。从那以后,我开始用这种方式搬放凳子。
后来发现还是有问题,自己对这种处理方式也还是不满意:因为凳子面藏在桌子底下,和人有一定距离,拿凳子的时候需要弯腰,需要长长地伸手……
这样的生动的阐述研究的例子,贯穿与整本书的前后,让人非常明了易懂,也非常生动形象,它给了我很大的启发和启示。对待研究应该具有什么样的心态,该书的观点很明确“慢慢走,欣赏啊!”
它借用了阿尔卑斯山谷中一条公路上插着的标语牌上的标语,简述研究的过程应该是一个享受的过程,关注的是过程而非结果。给我很大的启发,不是吗?只有享受过程才能真正的体会研究过程中的快乐,才能不会计较最终自己究竟得到了多少,才不会被名誉和金钱所累。“慢慢走,欣赏啊!”它不仅是教育研究的心态,更应该是对待生活的心态。
(一)真实性
书中选择的具体教学案例是真实存在的,是教师日常教学中发生的案例,同时也是普遍存在的,好像就发生在我们自己身上。教学环节完整,步骤清晰,让大家一目了然。
(二)简明性
理论点拨和修炼建议对基本问题包含的重要概念、核心理念、主要内容等作出了简明扼要的词条式解释。首先根据基本问题引出新课标中对应的原文,直接指向问题所在;然后根据标准原文的内涵进行阐释,论述其价值意义;最后作为理论阐释的核心内容,提出具体的实施策略和改进建议。理论阐释简明扼要,对案例的评析起到画龙点睛的作用。
(三)透彻性
对展示的案例,既说明了“然”与“非”,又对应基本问题和理论阐释,解析出“所以为然”和“所以为非”,对“非”与“所以为非”提出修正和改善的思路与方法。更好的发挥了案例的功能和价值,更好的体现了新课标的精神,延伸了新课标内容上的张力,更好地发挥了对教学实践的指导作用,促进教师更加准确和创造性地理解、实施新课程标准。
(四)典型性
修改前的案例和修改后的案例从比较完善和不够完善两个角度呈现和诠释了基本问题所蕴含的标准理念,让教师在比对和校验中更准确、更深刻地理解新课程标准,更新自己的理念。案例分析、反思探究和修炼建议是对新课程标准自下而上、自内而外的解读,构成一幅幅对新课程标准理解的立体图景。
《给教师的建议》是前苏联著名教育实践家和教育理论家苏霍姆林斯基所写,他被称为“教育思想的泰斗”。在本书的目录中,这位教育界泰斗抛出许多常见的教学过程中教师和学生会遇到的问题。带着强烈的好奇心,我开始了本书的阅读。
在教学理念上,“可以把教学和教育的所有规律性都机械地运用到他身上的那种抽象的学生是不存在的”。一语中的,有的学生对教材的理解和记忆快,同时在记忆中保持的长而牢固;而有些学生就完全不同:对教材的感知很慢,知识在记忆中保持的不久而且不牢固。这就需要我们在教学过程中能区别的对待每一位学生,新东方优能中学个性化宣传的教学理念就是“优能个性化,万人万教材。”其中的万人万教材便是践行区别教学的理念。
在教学方式上,书中建议“使知识‘活起来’,通过理解、弄懂大量的事实、事物和现象以后再进行识记。不要让学生去记诵那些还不理解、没有完全弄懂的东西,一定要经过实际作业,而完成实际作业就正是掌握知识。”我非常赞同作者的这个观点。学生容易盲目记忆单词、短语和句型,从来没想过要应用在日常口语或写作当中。以至于所有的背诵记忆的东西貌似只是为了考试而服务。不仅对考试帮助不大,还抹了他们对英语的兴趣,得不偿失。
所以在英语教学中,除作业外,要给学生介绍大量的词汇应用情景,让他们理解之后模仿,真正掌握之后比让孩子记硬背效果要好许多。虽然掌握知识是最终目的,但是获取新知识的途径也同样重要,否则不恰当的学习方式,费时费力还得不到想要的结果。在应试教育的强压下,有效快速地帮助学员掌握知识点是我和优能个性化同仁共同的目标。
在教学过程上,苏霍姆林斯基还说到一句话让我深有同感,“教学过程不是单单归结为传授知识,而是表现为多方面的关系。共同的智力的、道德的、审美的、社会和政治的兴趣把我们教师中的每一个人都跟学生结合在一起。”教师对于学生来说,不应像复读机一样一直重复着那些枯燥的知识点,除了教授学科知识外,更应当融入他们生活;无论什么也比不上一位睿智、阅历丰富、富有生活情趣的教师对学生有吸引力,这是一种难以衡量的人格魅力,能激发着学生们的学习热情。
除了良好的教育理念、教育方式和教学过程外,教师自身的努力也很关键。
每个新东方教师都在努力成为行业领域的佼佼者。作者在书中讲述道:“读书,读书,再读书,教师的教育素养的这个方面正是取决于此。要把读书当做第一精神需要,当做饥饿者的食物。要有读书的兴趣,要喜欢博览群书,要能在书本面前坐下来,深入地思考。”这正是我们提升自我教育素养的关键,现在是信息爆炸的年代,人们主动求知的越来越强烈;作为一名个性化教师,要给学生一杯水,自己就至少要有一桶水,甚至是一条溪流,在新东方的团队中学也不乏识渊博如滔滔江水的优秀教师。厦门新东方为此也成立了自己的书库,由教师推荐好书,这样整体的读书氛围更加浓厚了。
在另一方面,在实际工作中往往会遇到许多问题,有些问题需要我们借助别人的经验来解决。书中讲述到:“你对年长的同事们的经验研究和观察得越多,你就越加需要进行自我观察、自我分析、自我进修和自我教育。在自我观察、自我分析的基础上,你就会逐步形成自己的教育思想。”
所谓“一山跟比一山高”,作为教师,我们在教学的同时,在整个教学生涯中也扮演着学生的角色,只有不断虚心求学,才能为我们的学员更好的服务。厦门新东方是优秀教师云集的教育机构,这就为教师参加各种教研活动和优秀教师互相学习和分享教学心得提供了很便利的条件。
优能个性化的教育理念符合学生成长的特性,苏霍姆林斯基在本书中十分肯定每个学生的独特性并提供很多有效的解决方式,相信这会给我今后的教师生涯中带来了许多的帮助。
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