This "celebrity biography" is about the tribulations and difficulties of the three famous men on the road to fame, from the power of persistence to the disintegration of power even to despair. They abandoned a lot of love and friendship on the way to fame. Finally, they set foot on the road to success.
The first is a belief that, suffering from pain, still does not put down music -- Beethoven. Although he was deaf, he said proudly, "listen to my heart music, you don't understand how I feel! A band can only play music that I expect to write in a minute!" Yeah! His music set of classicism is the beginning of romanticism, and its creation reflects the progressive thoughts of the rising period of the bourgeoisie.
Then a tragic, still sculptural belief - Michelangelo. His pain came from human malice. He was born to fight, to conquer! It is precisely because of this that his artistic creation has been deeply influenced, often with the realism of the civil class at the time of the patriotism and freedom of the struggle of the spirit of the painting. This kind of cup is presented in grand and magnificent form, and his hero is both an ideal symbol and a reflection of reality.
The last is a mirror that Lenin once called "the Russian revolution." Looking around Tolstoy's life, he was not only a literary giant, but also the narrative of life, religion, and society that made him a world-leading thinker. Tolstoy never laid down his obsession with the meaning of life.
在很多人的生活中,都没有真正见到过狼。而狼这一凶猛的食肉动物给人留下的似乎只有残忍这一印象。但一匹真正的狼不止是凶、残,还有它的另一面,还有它经历过的、想到的所有和人十分类似的一面。《狼王梦》这篇小说在沈石溪的笔下描绘出了一匹母狼可歌可泣的生活。
这匹母狼名叫紫岚,她爱上了一匹美丽的公狼。它们策划着,想要某一天争夺王位,但在后来的竞争里,公狼不幸去了,紫岚立志要让肚子里的孩子坐上王位,然后生下了生下了五匹小狼崽,但其中一匹小公狼在刚出生不久后,便因为天气下冻了,剩下的三头小公狼,紫岚不惜一切代价地要把这三个公狼的一个培育成夺取王位的“超狼”。每次,它总是绞尽脑汁,费尽周折,还失去了一次美好的爱情。但命运总与它擦肩而过,头狼黑仔因小时太过于对世界的好奇于鹰嘴。二狼蓝魂儿倒是英武,但不慎落入猎人贪婪的手中。最小的狼在与狼王搏斗时因自卑的心理占了下风风,最终惨于众狼之口,紫岚的狼王梦就这样破灭了。后来,紫岚不顾一切地用生命保护了最小的母狼媚媚的五只狼崽,与金雕同归于尽,她希望这其中的一只能当上未来的狼王,了结自己于公狼的心愿。
看完这个故事,我不禁为紫岚的不幸而感到伤心,它几乎把这一生所有的精力都用在培育“超狼”上,这出于想登上宝座的想法太急切,也出于母亲对儿女们的爱。哪个母亲不想让孩子们变得有出息一些?所以,我还是真诚地祝愿紫岚能够圆了它的狼王梦,媚媚的五只狼崽中有一只能成为未来的狼王。
《狼王梦》这本书主要讲了一只母狼紫岚,它生下了四只狼,三公一母。为了自己狼儿的其中一只能成为狼王,它每天都在努力去实。它先培养第一只狼黑仔,很不幸,黑仔被一只雕给吃掉了;它就又培养第二只狼蓝魂,但蓝魂也中了猎人的圈套;最后它把培养狼王的目光移到了双毛的身上,就在双毛和狼王洛戛争夺王位时,双毛被洛戛咬住了致命的部位,双毛也了!它只好把希望都寄托给后代了!
好词好句:
它做了一个无法饶恕的极其愚蠢的动作,转身想溜;它忘了这是一场你我活的搏斗,它用一种弱者的生活逻辑来判断,还以为只要投降称臣就能得到宽宥从而苟全性命。它忘了狼的生存信念:用亡的恐怖来统治这个世界;它忘了弱肉强食的丛林法则;它忘了正在围观已等得不耐烦了的中枢神经被浓重的腥味刺激得异常兴奋的饥饿的狼群……
紫岚的脑袋嗡的一声变得一片空白,思维停止了,凝固了,整个身心像被冰雪渍过似的冷到了极点。它呆呆地望着卡鲁鲁越跑越远,最后变成一个模糊的小黑点,消失在炫目的阳光下。
紫岚拼命甩动尾巴,将尾尖从卡鲁鲁的嘴里挣脱出来。谢谢你的好意,卡鲁鲁,我也知道留在这里不能挽救蓝魂儿的生命,便我还是不能离开,至少不到最后关头我是不全离开 的,因为我是母亲。
The biography of the famous is composed of the famous French writer romain rolland, the biography of Michelangelo and the biography of Tolstoy, all of which were created in the early twentieth century. These three are famous people all over the world, but they do not give in to their fate and fight against their fate.
The first was Beethoven, a German musician who was born poor and dropped out of school. His life was rough and he was brave to fight his fate. His only family had failed him, and he was badly hit, but he survived. The great musician wrote an immortal masterpiece after hearing the deaf. He conquered the disease and overcame the difficulty. Beethoven was successful because of his spirit, unwilling to yield to his fate, and his spiritual values.
The second was Michelangelo, an Italian composer. He was born to a richer family in Florence. He has a high culture and artistic foundation. He spent his life working for the church. And his family kept asking him for money, and Michelangelo never refused their demands. The Pope had erected a monument to himself, which made Michelangelo less than his ideal. He encountered many difficulties in his life. He insisted that he lived to be in his seventies for his own ideal. Only a man with dogged perseverance like Michelangelo will succeed.
The third is Leo Tolstoy, a Russian writer. Tolstoy was born with a silver spoon in his mouth. He has a happy family. He has a high literary talent. He had been successful before, but he didn't care about what he had. He would not enjoy life, he would not spend his life, he would like to reflect the value of his life through human beings. Tolstoy was one of those people who let us see the different sides of the writer, the kind of inner shock that made me feel a lot.
This book tells us to fight our fate bravely, as long as you don't give in to your destiny, one day you will change your fate. There is an old saying that "destiny is in your hands".
1、假如你避免不了,就得去忍受。不能忍受生命中注定要忍受的事情,就是软弱和愚蠢的表现。
2、你以为我会无足轻重的留在这里吗?你以为我是一架没有感情的机器人吗?你以为我贫穷、低微、不美、缈小,我就没有灵魂,没有心吗?你想错了,我和你有一样多的灵魂,一样充实的心。如果上帝赐予我一点美,许多钱,我就要你难以离开我,就象我现在难以离开你一样。我现在不是以社会生活和习俗的准则和你说话,而是我的心灵同你的心灵讲话。
3、我无法控制自己的眼睛,忍不住要去看他,就像口干舌燥的人明知水里有毒却还要喝一样。我本来无意去爱他,我也曾努力的掐掉爱的萌芽,但当我又见到他时,心底的爱又复活了。
4、我渴望自己具有超越那极限的视力,以便使我的目光抵达繁华的世界,抵达那些我曾有所闻,却从未目睹过的生机勃勃的城镇和地区。
5、即使整个世界恨你,并且相信你很坏,只要你自己问心无愧,知道你是清白的,你就不会没有朋友。
6、如果别人不爱我,我宁愿去而不愿活着――我受不了孤独和被人憎恶。
7、暴力不是消除仇恨的最好办法――同样,报复也绝对医治不了伤害。
8、月亮庄严地大步迈向天空,离开原先躲藏的山顶背后,将山峦远远地抛在下面,仿佛还在翘首仰望,一心要到达黑如子夜、深远莫测的天顶。那些闪烁着的繁星尾随其后,我望着它们不觉心儿打颤,热沸腾。一些小事往往又把我们拉回人间。大厅里的钟己经敲响,这就够了。我从月亮和星星那儿掉过头来,打开边门,走了进去。
9、当我复又独处时,我细想了听到的情况,窥视了我的心灵,审察了我的思想和情感,努力用一双严厉的手,把那些在无边无际、无路可循的想象荒野上徘徊的一切,纳入常识的可靠规范之中。
10、人的天性就是这样的不完美!即使是最明亮的行星也有这类黑斑,而斯卡查德小姐这样的眼睛只能看到细微的缺陷,却对星球的万丈光芒视而不见。
11、我喜欢今天这样的日子,喜欢铁灰色的天空,喜欢严寒中庄严肃穆的世界,喜欢桑菲尔德,喜欢它的古色古香,它的旷远幽静,它乌鸦栖息的老树和荆棘,它灰色的正面,它映出灰色苍穹的一排排黛色窗户。可是在漫长的岁月里,我一想到它就觉得厌恶,像躲避瘟疫滋生地一样避之不迭:就是现在我依然多么讨厌。
12、你难道认为,我会留下来甘愿做一个对你来说无足轻重的人?你以为我是一架机器?――一架没有感情的机器?能够容忍别人把仅有的一口面包从我嘴里抢走,把一滴生命之水从我杯子里泼掉?就因为我一贫如洗,默默无闻,长相平庸,个子瘦小,就没有灵魂,也没有心了吗?――你想错了。我的心灵跟你一样丰富,我的心胸跟你一样充实!要是上帝赋予我一点姿色和充足的财富,我会使你同我现在一样难分难舍!我不是根据习俗,常规,甚至也不是肉之躯同你说话,而是用灵魂同你的灵魂在对话,就好像我们两个人穿过坟墓,站在上帝脚下,彼此平等――本来就如此!
13、假如刮一阵风或滴几滴雨就阻止我去做这些轻而易举的事情,这样的懒惰还能为我给自己规划的未来作什么准备呢?
自幼时起,对鲁迅总是感到十分神秘,总觉得他十分了得,不然怎得大家谈到他的时候都充满了别样的感情?但却又不是十分明白,那时总觉得读过他的文章就算得上是个“有文化人”了。于是经过书城时就嚷着买一本他的著作,但当时还太小,也未曾多多细看便不了了之……
直到上了初中学多了他的文章才渐渐了解了一些。“中学生学语文,一怕写;二怕周树人。”一日的语文课上,老师正上到《故乡》一文时不由得调侃道。真有这么恐怖么?我心中疑惑着,不由得想起了角落里那本书。
一日闲暇,我微微掸去扉页上的灰尘,硕大的《呐喊》随即清晰可见。是为何“呐喊”?带着无比的崇敬与好奇我翻开了这本书。
当我看到《狂人日记》时,不禁拍案叫绝,看了十几年的书见过大肆渲染描写过一个人也没能表现出他的本质的。可我是第一次见到仅仅只一句“不然,那赵家的狗,何以看我两眼呢”便把一个“狂人”写得如此贴切真实!看着这“狂人”的日记,不由的偷笑着。他眼中俨然只剩下了“吃人的人”!在这颇具特色的言语中我又分明感受到鲁迅想要说些什么,当狂人发出了“救救孩子”的呼声后,小说便戛然而止,终于“狂人痊愈”,顿时我又有所顿悟,这句救救孩子即使救救中国!
在《药》中。夏瑜的母亲念念不忘儿子是被“冤枉的”,可见在她的意识中革命者的确是该的,但瑜儿并非革命者。母爱在这里体现的不是关怀与壮美,而是深深地、寒彻骨髓的悲哀——当母亲都无法理解自己的儿子和革命者,这是多么深广的哀痛啊!革命者又是多么的孤独啊!
革命者的孤独走到后来,就逐渐演变成《孤独者》中的冷峻与绝望。而我又分明感到孤独者正是鲁迅自己,这正如他的内心独白!
《呐喊》正如其名,是鲁迅在那个黑暗的年代为人族、为人民发出的最为深沉的呐喊疾呼!鲁迅用幽默而又带有讽刺意味的语言,愤怒而又带有鼓励的语气,激励着当时半梦半醒的中国人,用带有指着和批判的语言,说明当时社会的黑暗,表现了鲁迅急切希望这沉睡中的巨龙——中国,早日苏醒,重振我中华之雄威!
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