小学生浸润童年英语作文(关于自己童年的英语作文)

小学生浸润童年英语作文(关于自己童年的英语作文)

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小学生浸润童年英语作文(关于自己童年的英语作文)

小学生浸润童年英语作文【一】

The biography of the famous is composed of the famous French writer romain rolland, the biography of Michelangelo and the biography of Tolstoy, all of which were created in the early twentieth century. These three are famous people all over the world, but they do not give in to their fate and fight against their fate.

The first was Beethoven, a German musician who was born poor and dropped out of school. His life was rough and he was brave to fight his fate. His only family had failed him, and he was badly hit, but he survived. The great musician wrote an immortal masterpiece after hearing the deaf. He conquered the disease and overcame the difficulty. Beethoven was successful because of his spirit, unwilling to yield to his fate, and his spiritual values.

The second was Michelangelo, an Italian composer. He was born to a richer family in Florence. He has a high culture and artistic foundation. He spent his life working for the church. And his family kept asking him for money, and Michelangelo never refused their demands. The Pope had erected a monument to himself, which made Michelangelo less than his ideal. He encountered many difficulties in his life. He insisted that he lived to be in his seventies for his own ideal. Only a man with dogged perseverance like Michelangelo will succeed.

The third is Leo Tolstoy, a Russian writer. Tolstoy was born with a silver spoon in his mouth. He has a happy family. He has a high literary talent. He had been successful before, but he didn't care about what he had. He would not enjoy life, he would not spend his life, he would like to reflect the value of his life through human beings. Tolstoy was one of those people who let us see the different sides of the writer, the kind of inner shock that made me feel a lot.

This book tells us to fight our fate bravely, as long as you don't give in to your destiny, one day you will change your fate. There is an old saying that "destiny is in your hands".

小学生浸润童年英语作文【二】

“童心共筑家乡梦”系列实践活动共分为两大类,第一大类是“少年研究员——小课题研究”。五、六年级的学生组成2~5人的假日活动小队,调查研究家乡的名人资源、民俗文化、人文景观等,调研美丽乡村建设、古镇开发过程中出现的热点问题等,并撰写成小课题考察报告,制作成多媒体幻灯进行展示。一到四年级的同学可以家乡旅游“金点子”,以个人或小队合作的形式,用文字叙述结合图画的形式,来设计“跟着运河游桐乡”、“周游桐乡旅游攻略” 等主题旅游,或者设计 “桐乡童玩城”、“儿童梦幻之都”等面向儿童旅游的项目,也可设计如“十年后的古镇”、“十年后的自己”等想象性的项目。

第二大类是“少年影像师”——畅想家乡。一是“奇思妙想画旅游”想象画,也就是用图画的形式记录或设计家乡的美景、风情等;二是“光影家乡”摄影,用儿童的眼睛,通过数码相机(或手机照相捕捉家乡的美景、民俗等值得记录的影像;三是小导游”或“小志愿者”微视频,三至六年级的同学可开展“小导游”或“小志愿者”实践活动,并把活动过程拍摄制作成视频。

学校也将这样的活动要项编辑为一份“童心共筑家乡梦”系列实践活动的指导书,并在今年的1月份学校结束的,每人手持一张这样的活动指导,听取了专门的电视专题导读。一听到这样有意义的实践活动,许多学生早已是跃跃欲试了。

【亮出你的收获来!】

在刚过去的寒假中,学生安排好自己的寒假时间,或是一个人在家长的指导下,或是邀请自己学校不同年级的同学,甚至住在同一小区的其他学校同学,热火朝天地投入到“童心共筑家乡梦”的活动中来了。他们还把自己的活动收获,通过指定的活动邮箱发送给学校的老师,以得到老师的及时指导,以利于进一步开展活动。而一些优秀的活动作品,就通过学校网站上专设的“家乡梦”专栏进行第一时间的展示,成为其他同学学习、激励的榜样。

2月份开学后,进入了本次活动的第二季收获。一件件精彩的作品在各个班级的“我能行展示台”中纷纷亮想。还有一部分优秀的作品,则推荐到学校参加全校性的评比,并学校网站专栏、校园宣传窗、校园电视中进行展示。学校还将从中挑选整理部分特别优秀的作品,参加桐乡市级的“童心共筑桐乡梦”的活动展评呢!

茅盾实验小学的学生来自全国各地,有着不同的家乡,每个家乡都有着不同的特色,这正是学校开展好本次活动的优势所在。同学们畅想一个个美丽的家乡梦,向大家展示和介绍自己的活动作品,锻炼了小学生的实践能力,并培养了学生爱祖国、爱家乡的美好情感。

小学生浸润童年英语作文【三】

Opening the biography of the famous, in the first introduction, there is a saying: "the air around us is heavy. The old man's Europa is unconscious in a climate of turbidity and corruption, and the vulgar materialism represses ideas, hindering the actions of F and individuals. Society dies in a perverse, self-serving selfishness, and mankind breathes and breathes. Open the window! Let the free air come back! Breath the breath of heroes."

Obviously, romain rolland would calibrate the time warp with heroism. For romain rolland, the true hero, the true greatness is pain and solitude, the struggle of the self with the invisible. In the same quote he also said, "I am not a hero who is a man of thought or power, but a man of great heart." He is a soul, captured the hero is pain to overcome hardships as a shiny scale to measure the hero, and his celebrity biography is revealed three suffering hero's mind in human history biography. They were the great German musicians of the 9th century, Beethoven, the famous Italian sculptor Michelangelo and the Russian literary giant Leo Tolstoy.

He wrote at the end of the Beethoven revolution: "an unhappy man, poor, crippled, lonely, a man of pain, the world does not give him pleasure, but he creates joy to give to the world; He USES his suffering as a joy, as he tells it with his words, the motto of all the brave souls: "joy in pain." "Indeed," for joy with pain "romain rolland tracking of Beethoven's life view of fate, the words make up the" Beethoven turn "internal tension and fascinating ideological appeal.

What supports Beethoven is the quality that does not bow to the imperial power, is not the determination that is bought by money, it is the courage to strangle destiny's throat! It is with these extraordinary mental powers that Beethoven has reached the most sober grasp of life, over the myriad of life's perilous peaks.

This is the eternal spirit that Roman Roland left us in the biography of the famous!

小学生浸润童年英语作文【四】

学生是学习的主人,我们的“教”应该为学生的“学”服务。在备课时,教师还应该时时在心中与学生对话,在与学生充分对话的基础上进行的备课活动才能真正体现学生的学习主体地位。

“你对这个话题了解了多少?”——牛津小学英语每一个单元都有一个话题。在我们设计新单元的教学时,这个问题可以提示我们尊重学生的已有经验,关注学生的学习基础,在学生已知已会的基础之上设计教学内容,把属于学生的时间还给学生。

“通过这节课你将学到什么?你是怎么学的?还可以学得更好吗?”——新课程呼唤我们的教学从知识本位回归到三维目标。这一连串问题指向的就是一节课中知识与技能、方法与过程、情感态度与价值观的目标达成。长期以来,我们的英语教学一直比较关注学生对英语知识的掌握情况,忽略了学生学习过程中的感受及体验。其实,真正的有效教学就是要让学生从浅层次的“学会”上升到“会学”与“乐学”,这样的学习才会让学生的终身学习获益。

在备课过程中,我们还要结合教材内容。预设大量的与学生的对话。在这个过程中,我们要注意与学生的对话交流必须付出真心真情。教师真心真意对待学生,才能让孩子们之间真心真意,课堂才会真实。这些年的英语教学实践证明,我们已经从期待表演的、热闹的、师生对答如流的课堂转变为期待真实的课堂和真实的交流。真实的教学问题、自然的教学过程、和谐的教学氛围才能最大程度地促进学生综合语言运用能力的形成。

小学生浸润童年英语作文【五】

每一套教材都代表着某一种教学理念和实践方法,教师在使用一套新教材之时,应站在编者的角度钻研全套教材,努力理解和领会教材编写者的教学思想和设计精神,把握教材的特点,使之在我们的教学中得以充分体现。与教材对话,首先要尊重教材,读透教材;与教材对话,更要超越教材,走向生活。我们不妨尝试“一课三案”:钻研教材,独立思考,形成“初案”;博采众长,融会贯通,写出“教案”;课后反思,精益求精,补充“另案”。

江苏版的《牛津小学英语》教材按照话题——功能——结构的体例编写,在备课时,我们可着力于话题生活化,功能结构协调化。在“初案”中,我们应该重点研读教材,明确教学语言与语境语言,把握关键语句与困难语句;在“教案”形成阶段,我们应分析语用因素,结合师情学情,选择设计各环节活动:课后,结合教学实际再回头看自己的教材解读,及时补充“另案”必不可少。“另案”中,可以反思一节课对教材处理的成功之举、败笔之处、学生感受,当然,对教材的“再教设计”是最终目的。我们对教材的研读应该追求从“有它无我”到“有它有我”,最后达到“有我无它”的洒脱境界。

 

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