橘生南国深固难徙适合写什么作文【一】
食物、生存和吃是这个故事的重点，在蛮荒的艰苦生存条件下，吃代表着活下。片中的父亲和六岁的小女儿相依为命，未来难以预测，父亲要将如何生存的技能传授给小女儿。飓风很快来了，洪水和瘟疫也接踵而至，亡就在不远处等候，但那种守护家园的南国精神最让人感动，不畏生，不惧一切。电影出现的'巨大野兽是原牛，两百万年前牛的始祖，这群凶猛的动物所到之处，摧毁一切。这种代表原始的生物代表着小女孩内心的恐惧和蛮荒式的生存能力，最终勇敢的人会直面内心的野兽，无所畏惧。片中蛮荒文明式的生存法则和日本导演今村昌平的《楢山节考》在看待生这个问题有着共通的东西，也许蛮荒和生存让人不得不学会对亲情冷漠，对自己残酷。
除了对蛮荒文明的思考，片中另一个闪光的地方在于小女孩心中那个宇宙和谐统一的世界观。宇宙是一个和谐统一的整体，牵一发则动全身，它会自我修复，就好比大家熟悉的蝴蝶效应，一只南美洲亚马逊河流域热带雨林中的蝴蝶，偶尔扇动几下翅膀，可以在两周以后引起美国德克萨斯州的一场龙卷风。所以永远不要庆幸他人的苦难，当万物合一的宇宙开始自我修复的时候，谁都会付出代价。最终一切都会好的，小女孩也会近乎顽固的活下。
抛开故事内在的人文精神和创作者的世界观，影片的摄影同样让人印象深刻，今年戛纳电影节的金摄影机奖就是最好的佐证。饱含诗意的摄影，优美磅礴的配乐，小女孩不留一点痕迹的表演让这部电影像一首充满了爱与勇敢和生命气息的南国赞歌。一个关于生存和传承的故事，一代代的繁衍与延续，它让你很难相信这是29岁导演贝赫?泽特林的电影处女作。
橘生南国深固难徙适合写什么作文【二】
我们先去桃源村俱乐部，目的地到了，我们下车走入桃花林中，哇！我们仿佛也变成了桃花啦！一片片红云在我们身旁飘啊飘，小蜜蜂在红云中吸蜜呢！我高兴极了。
仔细观察，我发现这里的桃树有大有小，树干粗的表示种的时间长，树干细的表示种的时间短，花朵颜色有深也有浅：树分叉了，有的树枝多有的树枝少，树杆有的粗有的细，奇形怪状。我看见大约有30个摄影师在给桃花拍照。
摄影师们拍得好认真啊，我长大后要学他们做摄影师，我也很喜欢拍照。
在桃花林中玩了很久，我们还舍不得离开，这里的'桃花开的实在太美了，最终，我们还是依依不舍的离开了桃花林，开车回家了。
有机会，我要争取更多的时间多观赏桃花！
橘生南国深固难徙适合写什么作文【三】
It turned out that whatever you pretended to be on the surface was useless when you really cared about someone, all kinds of emotions that were despised by her floated overwhelmingly in her mind. In a film everything always went smoothly as the hero wished upon the time of his awakening. However, she was treated so unfairly by the fate, making all her pride and courage broke down after being brave for just one time. She could make her own decision, but that didn’t count.
原来她独自一人在这场旷日持久的沉默暗恋中耽搁了太久，对每种难过和伪装驾轻就熟，却从未懂得，在两个人的感情世界中，一锤定音的，不是心有灵犀的睿智，不是旗鼓相当的欣赏，更不是心塌地的仰望。是心疼，是怜惜。是两难境地里，那一点点无可奈何的舍不得。
At last she had been lingering alone in the secret love for such a long time. She had been good at hiding all her emotions, no matter happiness or sorrow, but she still couldn’t understand the fact that in the relationship belonging to two individuals what really mattered was not the sensibility and understanding between two wise minds, not the respect and admiration towards the other who was equal in ability. The most important thing was the moment when man and woman felt tender and protective towards each other. That was what you held on to in dilemma.
她会把故事讲得很好听。实际生活中，时间控制束缚了她；而在故事里，她是主人，控制着空间和时间四处飞驰，并且能把被日常琐碎所掩埋的线索捡起来，重新梳理编排，一定要把听众讲到如痴如醉泪眼滂沱。然而只是想法而已。故事也许并不像她想象中的那么容易讲——因为讲着讲着，就会怜悯起从前那个被困在时间里面眺望未来的自己，心里很难过。
She can write good stories. In reality, the time controls and bounds her, but in stories, she is the master who can order the space and the time to fly around and reach anywhere she imagines. She can also collect the clues buried by daily trivialities, comb them and arrange them and she is confirmed that she can make her audience intoxicated and even cry for some plots. However, that’s just her assumption. Stories are not as easy as she imagines because she can always see the former self who was trapped in time and drew a vague picture of the future in vain, and she feels depressed.
