新托福作文分数是多少【一】
Prisoners of War?
Thousands of war prisoners were kept in captivity in the bulky camp. They lived in clutter and had to deal with chore. They must show categorical obedience or else receive caustic chiding. The guarding officers censure them very often, as well as clamoring carnal punishments. Some captives got bruise and clots all over. Male prisoners lost their collaterals and female ones fail to keep chaste.??
They wear burnished canvas, and rested in circumscribed room with small capacity and caliber. They chafe each other and brawled frequently. They were chary of moving and can hardly budge. Their situations captivated lots of reporters, who castigated the government with cogent proof. However, the government gave bombastic data and bragged about the conditions in the camps.??
After the calamity of war ceased, large numbers of captives were longing for the boon of brisk free life. According to a clandestine bond between the two canny governments, a process of exchanging captives will soon commence. This is considered as opening a cleft in the clogged wall between the two countries.
新托福作文分数是多少【二】
按图表写，首先要读懂图表，理解其包含的信息。为此目的，应注意三点：第一是读懂标题，明白图表的目的；第二是研究图表主题，理解各项内容及其之间的联系；第三是注意图表的说明或图例，以免误解。总之，对图表的研究要仔细,理解和判断要准确，不能草率做出决定，以免在文章内容方面丢分。
读懂图表之后，立即思考文章应表达的内容。这里,我们应该明白两个制约因素：其一是作文写作时间只有二十多分钟，不可能长篇大论；其二是图表内容繁多，不可能一一说明，也不能写成枯燥无味的\'流水账。考虑取舍时,应注意总的趋势，概貌，相互关系，典型的例子或数据，抓住这些之后，其他的内容实际上也包含在其中，不必再提及。
文章的写法没有固定的模式，但因题材的限制，变化太大也不可能。第一段必须说明图表的性质与目的，没有这一点，文章的主题难以突出。自然段的划分以清楚明了为原则，例如第一段谈图表的目的，其余自然段应当以所谈要点划分，最后一段可谈自己的理解和看法(也可不谈。写作时的关键是每个要点谈完后,应给出例证，把该说地说完,然后再进入下一要点，不能不顾文章条理,把想到的内容随便乱放。
再语言方式上，要注意句式的变化，尽量避免反复使用某一句型。再并列情况较多时，设法采用连结词或关系词将领岁的内容串在一起，为文章的主题服务。全文的思路可以用主题句，自然段,逻辑词等手法表明，使读者感到作者的思路清晰，感到全文是个有机的整体。遇到众多雷同的词汇短语时，能变化的尽量变化，无力变化时可用句式变化弥补。
新托福作文分数是多少【三】
Mahatma Gandhi
Gandhi was the peerless precursor of India national independence movement as well as a provident politician with prodigious probity. Grown up in penury, he was a pious posterity of the Indian people and had no prodigal penchants.
Fighting for the perennial independence of India, Gandhi is propped by many followers. He told them to keep placid and proscribed violence which may pervert people, for he knew profoundly, if that prevails, their prestige would be profaned and the movement would fall in plight. As a result, he kept placating his followers by plotting petitions with percussions and pleaded with the British colonists with propriety to accept their plausible proposals. Local governors professed his process permissible, and his minions proliferated.
As Gandhi’s propensity to become independent protruded and his profuse methods of struggle protracted, the colonists were prodded and pensive. They fear that the poise would be broken and fights would pervade. So they prosecuted Gandhi for pilferage of poultries and plunged the plaintiff into the penal jail. The jail keeper was prone to sympathy and made special food provision for Gandhi by pecking the jail wall. Their precious proximity was not perpetuated. Soon the keeper was precluded from touching Gandhi and Gandhi lost his preference.??
A prolific playwright wrote a play about Gandhi with pertinent topic recently. In the prelude of the play he premised that Gandhi was still alive. When the play was on, it precipitated and the perspective of the city’s profile became picturesque.
新托福作文分数是多少【四】
雨，“淅淅沥沥”地下着，是老天在为我的遭遇掉眼泪吗？树叶儿，“哗啦哗啦”地摇着，是树木在为我的命运叹息吗？青蛙，“呱呱呱呱”地叫着，是在为我鸣不平吗？
刺眼的灯光中，我仿佛又看见了那鲜红的110分，那张冷若冰霜的脸和那些重复多次的唠叨。
分数啊！你是一条坚韧的绳，将我紧紧地束缚在试卷上面；你像一道坚固的墙，将我与轻松快乐隔开；如一座高大的牢房，将我囚于不安和担忧之中。分数啊！你到底是什么？
今天测验得了110分，为什么？是因为我基础不好？是因为我没有认真地对待考试？不，都不是，是因为考试太紧张的缘故。我怕分数考得不理想，我是带着不安的心情去参加考试的……110分！妈妈的脸晴转多云，爸爸的嘴角开始抽动。面对唠叨，我闭上眼睛，无力反抗。
暴风雨停了，我倚在窗口，留着眼泪问自己：“你真的\'是那样无能吗？
又一次考试，我得了136分。
回到家里，迎接我的是妈妈的笑脸，爸爸的称赞。这是奖励吗？我想起了上次那冷若冰霜的脸，那重复又重复的唠叨。
我的鼻子又一阵酸溜溜的。
天边的月，暗淡无光；街旁的树，静悄悄的；沟里的虫儿，时断时续地鸣着……我倚在窗前，上次的110分，这次的136分，情况是怎样的不同啊！下次，又会怎样呢？
新托福作文分数是多少【五】
李泽厚先生曾指出
犬儒学派的摩尼莫斯曾发出这样的论断：“万般如是，皆因人们认为如是。”可见从众的消费从来不缺市场。从古至今，历来如此。对真理的渴求和对群体的归属感像是一对孪生兄弟。越是在真假难辨的时代，拥抱的越紧，却又像奥勒留所言“两支反方向的箭”朝着截然相反的目标发射。提出观点，形成阵营本无可厚非，却在无知的看客的影响下不自觉地引发了道德站队和认知偏差：一旦陷入“多数人”的“群众广场”之中，冷静理性的分析、辨伪鉴识的能力便荡然无存。真理面前神圣的博弈，终不免落入小丑狂欢的窠臼。成为巴赫金所言“把肉搬走”的闹剧。
囿于“少数服从多数”之如洪水猛兽，又有人提出“真理掌握在少数人手中”的论断。此言不虚，服毒自的茨威格、葬身鲜花广场的布鲁诺、被推上断头台的拉瓦锡，都牺牲于“多数人”的淫威和迫害。却最终被历史正名。可反观当下，掌握真理的少数人却早已变质，成为所谓“少数群体”抵抗质疑和讨论的挡箭牌，异化作其“拒绝与世界和解的”特赦令。于是历史的悲剧再次上演，只是角色悄然间已发生了转换，少数人站在“我就是真理”的道德制高点上，对着看似人多势众的多数人口诛笔伐。大肆批判，早已失去了理智和清醒，遑论对真理的求索。
严苛的社会制度体系，复杂的舆论生态环境，沉重的历史背景，很难说是什么让“多少之争”的悲剧不断重演。但正如余秋雨所言“大道向来是寂寞的。”我们也许无力改变这个世界，却也无需改变，“纵使你勃然大怒，他们依然无动于衷。”脱离群体，成为“畸零人”固然不可取，吠声吠形，沦为群体的附庸亦非良策，唯有携剜肉补疮的决绝，刮骨疗毒的清醒，秉“在无物之阵中左突右冲”的勇气，怀洞悉一切的\'理性主义，方可做出无愧于心的裁决。我们不妨做扎米亚京“全是直线的世界”中唯一的曲线，力图证实自己存在的合理性，去做点燃火把的人，照亮柏拉图暗无天日的洞穴。“世界一直在变，可它千般变化，终不及你的些许改变。”
“这个时代被它奚落了，但他情绪低落。”时代与社会的变奏离不开每个人的参与，“天命反侧，何罚何佑”，历史的长河终会涤去浮于表面的流言，沉淀真理。要相信，人的灵魂是“直指向上的球体”，只要有越来越多的人挣脱“以多少论是非”的桎梏，那个迷茫的世界就会土崩瓦解，不复存在。而每个人的
